Die folgende Tabelle enthält alle Skalen, welche dir beim Chord Scale Generator zusätzlich mitgeliefert werden. Diese Tonleitern kannst du auf einfache Weise mit Hilfe der Import-Funktion der standardmäßigen Skalenliste hinzufügen.
Name | Intervalle | aka* | |
---|---|---|---|
Arabisch | Bayati | 1-2-b3-4-5-b6-b7 | Äolisch, (Natürliches) Moll |
Bayati Shuri | 1-2-b3-4-b5-6-b7 | - | |
Hijaz | 1-#1-3-4-5-6-#6 | - | |
Hijaz Kar | 1-#1-3-4-5-#5-7 | - | |
Husseini | 1-2-b3-4-5-6-b7 | Dorisch | |
Huzam | 1-b2-b3-3-5-b6-b7 | - | |
Kurd | 1-b2-b3-4-5-b6-b7 | Sikah, Phrygisch, III | |
Nahawand | 1-2-b3-4-5-b6-7 | Äolisch 7, Harmonisches Moll | |
Nawa Athar | 1-2-b3-b5-5-b6-7 | Gypsy Minor, Ungarisches Moll | |
Nikriz | 1-2-b3-#4-5-6-b7 | Dorisch #4 | |
Rast | 1-2-3-4-5-6-7 | Ajam, Ionisch, Dur | |
Saba | 1-2-b3-3-5-b6-b7 | - | |
Suznak | 1-2-3-4-5-#5-7 | - | |
Chinesisch | Gong | 1-2-3-5-6 | Dur Pentatonik, Diatonisch |
Jue | 1-b3-4-b6-b7 | Rock Pentatonik | |
Shang | 1-2-4-5-b7 | Neutrale Pentatonik, Egyptian | |
Yu | 1-b3-4-5-b7 | Moll Pentatonik, Blues Pentatonik | |
Zhi | 1-2-4-5-6 | Schottische Pentatonik | |
Exoten | Egyptian | 1-2-4-5-b7 | Neutrale Pentatonik |
Mongolian | 1-2-3-5-6 | Dur Pentatonik, Diatonisch | |
Tunisian | 1-2-b3-#4-5-6-b7 | Dorisch #4 | |
Balinese | 1-b2-b3-3-b5-5-6-b7 | Halbton-Ganzton, Blues Vermindert | |
Griechisch | Hijaz | 1-#1-3-4-5-#5-#6 | - |
Hijazkiar | 1-#1-3-4-5-#5-7 | - | |
Houseini | 1-2-3-4-5-6-b7 | Mixolydisch | |
Huzam | 1-#2-3-4-5-6-7 | - | |
Kartzigar | 1-2-b3-4-b5-6-b7 | - | |
Nihavent | 1-2-b3-b5-5-b6-7 | Gypsy Minor, Ungarisches Moll | |
Pireaus | 1-#1-3-#4-5-#5-7 | - | |
Rast | 1-2-3-4-5-6-7 | Ionisch, Dur | |
Sabah | 1-2-b3-3-5-b6-b7 | - | |
Segah | 1-#2-3-4-5-#5-7 | - | |
Susinak | 1-2-b3-#4-5-6-b7 | Dorisch #4 | |
Tabahaniotikos | 1-2-3-4-5-#5-7 | - | |
Tsinganikos | 1-#1-3-4-#4-6-#6 | - | |
Usak | 1-b2-b3-4-5-b6-b7 | Phrygisch | |
Neveseri | 1-b2-b3-3-5-b6-b7-7 | - | |
Indisch | Asavari | 1-2-b3-4-5-b6-b7 | Äolisch, (Natürliches) Moll |
Bakulabharan | 1-#1-3-4-5-#5-#6 | - | |
Bhairav | 1-#1-3-4-5-#5-7 | - | |
Bhairavi | 1-b2-b3-4-5-b6-b7 | Phrygisch | |
Bilawal | 1-2-3-4-5-6-7 | Ionisch, Dur | |
Chakravaak | 1-#1-3-4-5-6-#6 | - | |
Charukeshi | 1-2-3-4-5-#5-#6 | - | |
Dharmaavati | 1-2-b3-b5-5-6-7 | - | |
Gauri Manohari | 1-2-b3-4-5-6-7 | Äolisch 6 7, Melodisches Moll | |
Hemvati | 1-2-b3-#4-5-6-b7 | Dorisch #4 | |
Kafi | 1-2-b3-4-5-6-b7 | Dorisch | |
Kalyan | 1-2-3-#4-5-6-7 | Lydisch | |
Khamaaj | 1-2-3-4-5-6-b7 | Mixolydisch | |
Kirwani | 1-2-b3-4-5-b6-7 | Äolisch 7, Harmonisches Moll | |
Kokilpriya | 1-b2-b3-4-5-6-7 | Neapolitanisches Dur | |
Lataangi | 1-2-3-#4-5-#5-7 | - | |
Marwa | 1-#1-3-#4-5-6-7 | - | |
Natakpriya | 1-b2-b3-4-5-6-b7 | Phrygisch 6 | |
Poorvi | 1-#1-3-#4-5-#5-7 | - | |
Rampriya | 1-#1-3-#4-5-6-#6 | - | |
Sarasaangi | 1-2-3-4-5-#5-7 | - | |
Suryakant | 1-#1-3-4-5-6-7 | - | |
Todi | 1-b2-b3-b5-5-b6-7 | - | |
Vachaspati | 1-2-3-#4-5-6-#6 | - | |
Indonesisch | Pelog 1 | 1-b2-b3-4-5-b6-b7 | Standard Pelog, Phrygisch |
Pelog 2 | 1-b2-b3-b5-5-b6-6 | - | |
Pelog 3 | 1-b2-b3-bb5-5-b6-6 | - | |
Slendro 1 | 1-2-4-5-b7 | Standard Slendro, Egyptian, Neutrale Pentatonik | |
Slendro 2 | 1-2-4-5-6 | Schottische Pentatonik | |
Japanisch | Joshi-Akikaze | 1-2-b3-5-6 | Akikaze-Joshi |
Joshi-Hira | 1-2-b3-5-b6 | Hira-Joshi | |
Joshi-Iwato | 1-b2-4-b5-b7 | Iwato-Joshi | |
Joshi-Kokin | 1-2-4-5-b6 | Kokin-Joshi | |
Joshi-Kumoi | 1-b2-4-5-b6 | Kumoi-Joshi | |
Joshi-Okinawa | 1-3-4-5-7 | Okinawa-Joshi | |
Sen-In | 1-b2-4-5-b7 | In-Sen | |
Sen-Ritsu | 1-2-4-5-6 | Ritsu-Sen, Schottische Pentatonik | |
Sen-Ryo | 1-2-3-5-6 | Ryo-Sen, Dur Pentatonik, Diatonisch | |
Sen-Yo | 1-b3-4-5-b7 | Yo-Sen, Moll Pentatonik, Blues Pentatonik |
|
Jüdisch | Adonai Malakh | 1-2-3-4-5-b6-b7 | Äolisch 3 |
Ahava Rabbah | 1-b2-3-4-5-b6-b7 | Phrygisch 3, Spanish Gypsy, Spanisch | |
Mi Sheberach | 1-2-b3-#4-5-6-b7 | Mi Schebberach, Misheberakh, Dorisch #4 |